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Studio setup1/13/2024 The more distance between the speakers and the far wall, the less chance they have of creating unwanted reflections. When setting up your mix position, it’s best to aim the speakers so they’re firing down the long dimension of the room. Conversely, modestly-priced monitors can sound fantastic when properly set up in a well-treated room. Great monitors in a poorly treated room will sound awful. In fact, the acoustic treatment of your room will make a larger impact on the accuracy of your monitoring than the monitors themselves. It goes without saying that high-quality studio monitors are a must for achieving pro-quality mixes, and their setup and placement within a room can have a big impact on their sound. We’ll cover some simple room setup tips that will help ensure that you can produce mixes that sound good on any system. Thankfully, there’s quite a bit you can do to improve the acoustics of an existing room without having to hire an acoustician or a construction crew. Square rooms with surfaces like drywall and concrete can cause sound to bounce around the room and smear your perception of the sound. Many engineers dream about working in facilities like Abbey Road, Record Plant, and Blackbird-but the reality is most of us (including pros) work in bedrooms, attics, and basements, which typically provide less-than-ideal acoustics. Setting Up the Guest Room as Control Room At the end of this article, you’ll find useful links to learn more. Sonarworks’ blog contains a lot of information about setting up your room and acoustics, but this article will teach you the basics. This article will get you on the road to properly setting up your control so you don’t follow my path of producing sub-par mixes due to bad room setup and acoustic problems. Specifically, the acoustics of my room was the problem. He taught me that the problem wasn’t with my ears-it was my room. “I listened to a mix in my car last week and got so mad I threw the damn CD out the window.” John was a good audio engineer and a great mentor. “It’s alright kid, we’ve all been there,” he said. It was terrible, but he let me down easy. After working on my first mix for a week straight I brought it to my boss for revisions. One of my first mixing gigs was for a radio station that hired me to remix their live concert recordings for broadcast. Can you really call yourself an audio engineer if you haven’t gone from being proud of a mix to ashamed of it in less than 24 hours?
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